Camera Operator for Hire: Labrum at London Fashion Week
LutherMEB Productions operated the main camera on Labrum's AW26 show, Threads of Osmosis, at London Fashion Week, working as part of the runway video production crew.
Video Production
Fashion Show
London Fashion Week
Project Brief
Labrum London is a London fashion house, and its AW26 collection, Threads of Osmosis, was shown at London Fashion Week under the British Fashion Council.
LutherMEB Productions operated the main camera for the runway film, working as part of the video production crew alongside DOP Joshua Whittington.
A runway show is the hardest kind of camera work there is: it happens once, in real time; models move fast, the lighting is built for the room and not for you, and the main camera carries the shots the whole edit leans on.
Production Process
We ran the main camera through the live show as part of a multi-camera crew, with Joshua Whittington leading as DOP and Michael Ghelfi cutting the final film.
Our job was the spine of the coverage: clean, steady, correctly exposed passes down the runway that the edit could be built around, frame after frame, with no room to fix it later.
Outcome
The footage went into Labrum's official AW26 show film, Threads of Osmosis, released after London Fashion Week. For us, it's a straightforward signal: when a production needs a camera operator who can hold the main angle on a one-shot live runway at this level, we're trusted to be there. That's the work we want more of.
Learn more about our Video Production services
We build high-performing videos for your commercial use, from performance marketing to informative and lifestyle top-of-funnel videos. It’s said that ‘brand’ is where your business lives in the hearts and minds of the public. We know that video is a powerful tool to shape that.
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Frequently asked questions.
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Single shoot day: from £3,500.
Multi-deliverable campaigns: £8,000-£25,000.
Hero campaigns: £25,000-£60,000+.
For a non-obligation free quote, contact us below.
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Four to six weeks for standard briefs. Two weeks pre-production, the shoot, and two to three weeks edit, including revisions. Faster turnarounds possible: race-weekend content for Williams Racing was delivered inside 48 hours of wrap.
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Pre-production planning, full crew sized to brief, two revision rounds, colour grade, sound mix, music licensing for campaign duration, platform-spec deliverables. Captions and aspect ratio variants are part of the deliverable.
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A founder film runs with two to three people. Standard commercial: five to seven. Larger campaigns: eight to twelve plus stylists. Race-weekend: specialised six to eight-person teams.
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Yes. London locations and permits handled in-house. Casting through London agencies we work with regularly. International shoots include local fixer arrangements.
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We’re confident you’ll love your film, but if the first cut isn’t quite right, you’re eligible for two revision rounds as standard.
Your first cut within two weeks of the shoot. If a third round is needed, no problem - from then on we work on an agreed day rate. -
Regularly. Twelve countries since 2018, including Europe, North Africa, and the US. We love shooting internationally, and the places it takes us.
Got somewhere in mind for a shoot? Let us know!
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We stand out as a production company: the person you brief is the person who delivers. They’ll be with you every step of the way. No ‘account managers’ dictating to a dozen different people, creating a series of confusion.
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£10m public liability and professional indemnity. Companies House 16321066. Certificates and registration documentation share in advance of contracting on request.
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Yes. Many briefs combine new commercial production with existing brand assets. We integrate it where it serves the cut, and flag it where the quality gap will read.
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